Black Truffle
EIKO ISHIBASHI - Hyakki Yagyo LP
$44.95
Limited edition white vinyl. Sold out at the source.
Deluxe package with an inner sleeve featuring an artist portrait and liner notes from Eiko Ishibashi. Cover and label design by Shuhei Abe. Back cover design by Lasse Marhaug.
New solo album by Eiko Ishibashi, her first since her acclaimed 2018 Drag City release The Dream My Bones Dream. This album finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.
Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards and is a response to troubling questions about Japanese history, and the influence of the past upon the present.
Produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.
The two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements, hinting at an influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion.
Deluxe package with an inner sleeve featuring an artist portrait and liner notes from Eiko Ishibashi. Cover and label design by Shuhei Abe. Back cover design by Lasse Marhaug.
New solo album by Eiko Ishibashi, her first since her acclaimed 2018 Drag City release The Dream My Bones Dream. This album finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.
Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards and is a response to troubling questions about Japanese history, and the influence of the past upon the present.
Produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.
The two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements, hinting at an influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion.
